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Underground Noise: SARCOFAGO "And The Desecration Begins..."
Underground Noise Like to describe them as “Brazilian Sodom” everytime, although the academician guy Wagner does not want to remember the old days anymore. Yeah, I think most of the people have heard Kaos Kommando in the style of cult Finnish hardcore punk like Terveet Kadet, if you remember the live bootleg “Nights In Hell” then you will know they were covering two Terveet kadet songs.

There were the marks of first true desecration with the forming of Sarcofago and Sepultura in South America, so the barbaric devil-worshipping metal began to fill the veins with hellish poison then we can tell the bastard youth of today that they have a great sign on almost many extreme metal bands nowadays. Especially bestial metal bands such as Von, Beherit, Blasphemy showed them as key influence on their music.

Sarcofago was founded in 1985 in Belo-Horizonte under the flag of satanism, perversion, sex, alcoholism, and especially anti-Christianity that have the biggest influences to create their ideas to write lyrics, and the music in the early demos “Satanic Lust”, “The Black Vomit”, “Christ's Death” so the underground metal scene would meet with a band that had the brutal devil metal rules in the future!!! Hell metal acts of the era such as Venom, Hellhammer, Celtic Frost, Sodom, Destruction, Possessed, Bathory were the key influences, after the agreement with Cogumelo Records, the debut full-length “INRI” (1987) was made to dedicate the brutal spirit of Satan, and desecrated all the divinities. Devilish and dark atmosphere, pure growls and screams, muffled sound effects, simplistic and accursed primitive speedy-black metal riffs that were possessed by devil and close to the German Thrash metal witching emerged a primitive black metal album that has done a menacing rise.

1989’s “Rotting” is a pure evil and hateful thrash-death metal record with some black metal influences. Guttural vocals were disguised by satan, echoed morbid screams, raspy brutal shouts like vomit, and the fast, dominant guitars to destroy all the holy themes again. A bit punk elements reflected to the music this time and Wagner’s screams are more reminiscent of “Bestial Devastation” and “Morbid Visions” era of Sepultura.

In 1991, “The Laws Of Scourge” would bring new improvements. They used keyboards in some parts, and the drums was being programmed by Eugenio. As the sound, it was more in the way of thrash metal that showed the band’s music was going to mature and professional line. However the band protected to be distinctive with aggression, and to be playing fast and hate-filled. Plenty of tempo changes, some Kreator, Sodom, Bathory esqued riffs, Lamounier’s horrific vocals, his husky and deep voice, some acoustic parts, using of keyboards as literal created an interesting diverse and mystic sound.

In 1994, "Hate" which showcased both slow and fast particles themselves, but sometimes the use of drum-machine it was monotony. The 1997’s album was named as “The Worst” like they’ve defined the album with this name because it was really worst. The 2000’s EP “Crust” was more close to old days, but this was not a real Sarcofago record as the people expected.

90's shitty poser acts who have been defined as “black metal” were cursed by Sarcofago in their song named “Fuck Off The Melodic Black Metal” in the EP "Worst" but it was not very successfull as the musical. But Wagner had left the Sepultura before he formed Sarcofago, and he fixed the way as creating a true metal was dedicated to true spirit of satanism like Sepultura has done in the early periods. Sepultura died after the mid-95, Sarcofago was dissolved without any compromising from the true way.





This article belongs to MORBIDZINE. Can not be copied / used.
Tarih: 14.07.2014 Saat: 19:17 Gönderen: Sodom
 
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