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Album Reviews: DISCLOSE – NIGHTMARE OR REALITY (1999)
Album Reviews Apocalyptic d-beat hell that was made in Japan! Most of you know how Disclose is important for d-beat scene. Perhaps one of the most cult Raw Punk Hardcore / D-Beat bands for me and many people I think. Were established in 1992, musical and lyrical structure under the intense influence of Discharge, this Kochi City's legend band presented plenty of distorted guitars, darkest d-beat ambience music and lyrics as the subject of nuclear wars, environmental destruction would bring terrible results and such as post-apocalyptic approaches. One of their best records, no doubt, "Visions of War" is the highest mark of the band which is published in 1996, the name come from Discharge's same named song however EP already contains a cover of this song. But this is more solid masterpiece that presents their hyper-energy effort of raw punk d-beat hell. Just like the name Disclose is another trademark band of pessimistic approach about the future, so album begins with a scary track, sizzling guitar sound and solos and riffs as well as creativity in terms of and variability, a great combination of well-recorded bass and drums, this is one of the highest standard records in genre. Dark songs as possible were written to bury the listeners into the battlefields of hell! Disclose’s sound reflects the panic of society that was brought by nuclear war era, the human race was programmed to kill, occuring of social chaos, and as a result worrying about the world that was surrounded by nightmare very well. The usual distorted guitar sound for Disclose, crackling riffs and gloomy guitar solos, d-BEATING drumming patterns and Kawakami’s high-pitched barker and pessimist vocal style tell us “free to wear gas mask while listening”. All of your dark hardcore satisfactions can be fed by that classic record! The most important D-Beat band of Asian scene ended by dying of Kawakami on June 5, 2007 cause of alcohol overdose with sleeping drugs he used extremely.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 11:23
(Read More... | 2163 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: MORTA SKULD – FOR ALL ETERNITY (1995)
Album Reviews Since our adolescence, we usually labeled bands as Florida/USA Death Metal, South American, Sweedish, Holland or European Death Metal. However, there were some bands I couldn't categorize even they were parts of one one those genres and Morta Skuld, which is speacial for me, can be given as an example. They had enough technical capacity to take on most bands but when the members of the bands began to play industrial bullshit in some other bands, it was a big disappointment for death metal scene. They emerged at the same time and played in the same vein with classic USA Old School Brutal Death Metal bans like Morbid Angel, Obituary, Vital Remains, Incantation and Gorguts. The band reached the summit with "For All Eternity" but killed itself with its last album.

You can hear resemblence with the bands I mentioned above while listening mysterious combinations of the band. There are dark guitar sound, shadowy death metal riffs, suffering and grumbling vocals of Dave Gregor. Frequent tempo changings which the band likes, successful guitar compoisitions, short and technical solos and catchy melodic moments come forward in the album.

"Bitter Remembrance", "For All Eternity" and "The Bleeding Heart" are the oustanding songs of the record. I especially like the drumming in the album, it's perfect enough for a death metal album and brightens the blurry sound of the album. There is also a cover of their townsmen, Dr Shrinker, which is a lost death metal band from the same town with Morta Skuld. This album is the top level of the band and if you like classic American Death Metal, you can't resist it.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 11:20
(Read More... | 1837 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: EXCRUCIATE – PASSAGE OF LIFE (1993)
Album Reviews Old-school Swedish death metal could be one of the alternative ways for my death. There were many classics at the time to find and listen completely, so finally I discovered another band, this is Excruciate. The band plays what we have known in the name of old school sledgehammer death metal! No compromise, just hellish ambience with doomy atmosphere parts. It’s possible to catch many superb riffs when you listen the entire album. But the vocals would be a little better, this is the most downside of band. I can’t mean he is weak of course but more different vocal style would fit the sound a lot better. Anyway they play the death metal as it should be. There are quite interesting and perverted track names like “Anatomical Self-Fertilization” or “Eternal Incubation”, their imagination was very wide. Some doomy parts can cause you feel the monotonous but you’ll also listen cool funeral ceremony ambience parts almost like a dead one is alive again, and have started to eat itself. In fast-tempo parts, awesome blast-beats make more violent that was extended to Grindcore. Most of the songs were filled with good tempo changes, serial-fire thrashy riffing is more dominant in some parts. Perhaps you say there’s also Entombed, Carnage, Dismember or Grave esque moments. Though the simple drumming patterns I liked the balance with guitars, however it was mixed very well. Buried into the Swedish graves!
Gönderen: Sodom Tarih: 20.07.2014 Saat: 11:18
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Metal/Punk Articles: NWOBHM... THE GOLDEN ERA OF HEAVY METAL
Metal/Punk Articles Perhaps the British people presented another great movement to all the world after the football. It was NWOBHM , with expanding “New Wave Of British Heavy Metal” was a beginning of gold era for Heavy Metal history like a revolutinary that will be guide the metal scene in the following years. I'm not the enemy of Glam Rock but if NWOBHM had not been and if we tried to take pleasure from Glam Rock instead of NWOBHM, I sure it would not be really good. Punk rock movement was quite powerful in the late 1970s, because punk was an important cultural movement of youth for the struggle against authority. Although now it discredited former political intimacy. With NWOBHM flames a new era would begin and influenced from 70's hard rock music, particularly Black Sabbath, Deep Purple, Led Zeppelin, Rainbow and Motörhead, British people began to form countless bands one after another (Iron Maiden, Venom, Saxon, Diamond Head, Raven, Demon, Def Leppard, Girlschool, Tank, Praying Mantis, Angel Witch, Samson, Blitzkrieg, Grim Reaper, Quartz, Tygers Of Pan Tang, Jaguar, Saracen, Avenger, Holocaust, Tokyo Blade, Witchfinder General, Hollow Ground etc.). Looking at the earlier periods, born in Scotland then moved to Australia, which was founded by brothers Angus and Malcolm Young, AC DC is cited among the pioneers of the genre.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 11:13
(Read More... | 7076 byte kaldı | Metal/Punk Articles | Puan: 0)
Album Reviews: TOTALT JAVLA MÖRKER - MANNISKANS RINGA VARDE (2004)
Album Reviews There are many black metal/crustpunk bands that increase day by day in the recent years. I recommend some R.A.B.M. bands but I really don’t like some bands as musical in the same movement. Totalt Javla Mörker is already partly piece of scene in my opinion, andi recommend them as one of the best black/crust bands with Skitsystem. Obviously I think everyone can not do such a well-balanced combination between hardcore/crust and black metal because the two genres are quite irrevelant... But.. Totalt Javla Mörker is one of the rarely bands that succeeded the blending black metal and hardcore too harmonic. These guys broke all the thoughts in my head about the topic. This is fuckin violently music like Anti-Cimex, Sodom or Bathory are playing at the same time.

Formed in 1998 in Skelleftea, Sweden, the band's name means "Total Fucking Darkness" in English. Like Disfear and Skitsystem’s chainsaw tunes, it’s too brutal as a fallen sledgehammer on your head, and sometimes it has moments of dark and dirty like Amebix did at the time. D-beat punk blasting of drums and duals of muddy screaming black-death metal, grinding muffled style vocals, crustcore/death metal riffing, the result; their sound is very very insanely madness of unsound mind. Rumbling bass is quite dominant on music, it is another most delicious part of the band. These guys are really pure rage. People who want to listen as reference, they should start to listen the 2004’s "Manniskans Ringa Varde" and 2006’s self-titled. Recommended immediately.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 10:45
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Album Reviews: IMPETIGO – ULTIMO MONDO CANNIBALE (1990)
Album Reviews Blending the Old School Death metal with the roots of Grindcore, how many bands have there been that revealed the brutality at the time in this style? Developing the roots so, present the death metal that can offer an infinite brutality? Very, very few… That was one of those myths Impetigo ... At the point of junction of cannibalism and metal, they did two legendary albums and an EP, and left the market. Founded in 1987, the American band’s first album “Ultimo Mondo Cannibale” is one of the determinants in the genre, which is a source of inspiration for countless horrific Death Metal and Grindcore bands, the masterpiece still shines in the bright pages of the history. Based to 70s and 80s Italian horror movies on the brutality, this album is in the full of primitive Thrash, Death Metal and Grindcore way as musically, no this is not music, it sounds like a cannibal crew torments you before the lunch. In spite of a lack of tehcnical skill, guitars are heavy as hell, and the riffing has intensity cool, punch vocals have great gutturals like vomitting the intestinals or blooded brain of a victim, scary samples from the famous cult horror movies (remember the story of evil wizard who disentomb the deads from the graves and use them in his gore stage shows) adds great ambience. There are some Napalm Death, Repulsion, Macabre-esque parts on tracks, especially in primitive guitar riffs, if you have fucking technical brain which likes millions of riffs in one minute, then keep far away from this masterpiece. Zombie? Yeah, Dario Argento, go to the Haiti, and escape to the hospital to find the doctor, but no exit they will surround you!
Gönderen: Sodom Tarih: 20.07.2014 Saat: 10:36
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Album Reviews: DISEASE PROCESS - S/T (2011)
Album Reviews At the time, i discovered these psychopathic Australians when i was looking for the new mentally-ill noises. Disease Process is a two-piece d.iy. black metal/grindcore/crust band from Perth, Western Australia that was founded in 2010. As the rough-hewn mix of d.i.y. satanic/anarcho grindcore, crust with death and black metal, this is the first demo tape of band to offer uncompromised noise of uncontrolled barbarism that’s coming from the days of “Death To Capitalist Hardcore” s slap that Sore Throat did at the time in behalf of carrion grind-crust, to the same years that Earache presented grindcore’s 87 model with the bands such as E.N.T. and Electro Hippies and Repulsion dose together with some of black metal hints.

8 rapist tracks in 10 minutes force the limit of animality without any fuckin melodies, any catchiness, that’s the real brutality! Guitar sound is extremely fuzzy like you thought, vocals are extremely muffed, unmitigated drums always dominate the anger, in the result these factors make the noise of that buzzsaw shredding. Some tracks contain good punk-grind riffs in the vein of the old school grindcore bands we mentioned. In fact does not need to explain how it has every aspect of uncompromising, ruthless, devoid in a single tune, and I have to add that like all the these type of records, not get an awful record quality absolutely. In the lyrics, i don’t know enough, but i think their approach is based to topics of hate, chaos, misanthrophy, anti-religion, devil worshipping and anarchism. Not only for grind, crust, i sure it will be also attractive even for the fans of black-death metal i sure.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 10:34
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Underground Noise: VULCANO
Underground Noise 2009’s “Five Skulls and One Chalice” revealed the truth; these old farts are still playing black/thrash metal in the oldschool attitude without no compromising, so if we discuss their history by beginning from “Bloody Vengeance” era it's possible to say they have not given a fuck the changes in the sound, and fucking experimentals, modern production or technicality so they deserve to be respected. Vulcano has key influences on the first black-death metal bands such as Beherit, Blasphemy together with Sarcofago. Band was founded in 1981 in Sao Paulo city by Carli Cooper (bass), Zhema (guitar) and Paulo Magrão (guitar), later they moved to the city of Santos in 1982.

They did their early live performances under the name “Made In Brazil”, they recorded the demo "Om Pushne Namah" in 1983. After this 4-track demo, Magrão and Cooper left the band, they were replaced with Johnny Hansen (guitar) and Renato (drums). And Zhema left the guitar duty, he began to play bass. In 1984 a second demo tape of the 8-track "Devil On My Roof" was released. The band’s famous track named “Witches Sabbath” appeared for the first time in this demo so we see Nifelheim covered it. During the tour, Hansen and Renato left the band, and then the works were more difficult for Vulcano, because Zhema stayed as the only original member. But he found Soto Júnior (guitar), Zé Flávio (bass), Laudir Piloni (drums) and Angel (vocals), so the band’s line-up takes the real form.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 10:25
(Read More... | 2708 byte kaldı | Underground Noise | Puan: 0)
Album Reviews: PERVERSOR - THE SHADOW OF ABOMINATION (2011)
Album Reviews Need to avoid, because Perversor continues to attack with blasphemic rapid fire that's bombarding us with the flame of automatic hell atomizing weapon. Guys seem to reached to the best black metal bands of South American scene, it can not be wrong to mention i guess. Santiago city is not already surprise, because when it’s in Chile such bloodshedding, and the relentless massacre of black-thrash-death metal absolutely comes from this cursed town. Since the guys have released their blasphemic destruction “Cult Of Destruction” in 2008 under the influence of Blasphemy, Archgoat, Sarcofago, Sodom and Chilean bands such as Death Yell, Pentagram, during this time they provided much improvement. The debut album was also great but the vocals were buried more into the instruments and it was lack of guitar solos, it means never bad of course.

But “The Shadow Of Abomination” is more glorified with successfull production as it should be, neither more, nor less. This time vocals spread the unending profane terror with zestful screams, reverberant growling singing of excellence, and it’s possible to hear a great guitar solo in “Slaughter Of The Innocent”.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 10:01
(Read More... | 2031 byte kaldı | Album Reviews | Puan: 0)
Album Reviews: HACAVITZ – METZTLI OBSCURA (2010)
Album Reviews When i first listened “Katun” i didn’t even have any information about the band’s debut. Complete psychopaths that play death metal from the Mexican territory, they destroy by mixing the chaosy guitar sound that creates war atmosphere and demonic vocals of doing damage to anti-christianity. The last one “Metztli Obscura” shows more destructive and mature improvement of band which they oriented on speeding up and ripping. People compare them with bands such as Belphegor and Behemoth, they're right about the musical orientation but i've never liked this comparison until now cause of accepting that as an insult for Hacavitz.

As i've seen band focused on the Mayan mythology, so there are the traces of Mayas including also the name. It comes from the Mayan mountains, but normally mythology was not important for me if they ‘re only oriented on Mayan mythology because a band like Hacavitz should have blasphemic or anti-religious standing at least, already they have.
Gönderen: Sodom Tarih: 20.07.2014 Saat: 09:54
(Read More... | 2296 byte kaldı | Album Reviews | Puan: 0)
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